Jo Vergunst (2010) also uses gestures to understand the way humans can walk down the streets and not collide with all the people who are also on the same journey as them. The demands of city life are optimistic and our way of walking must succumb to this lifestyle, which often happens, as most human beings do not want to appear out of place or be a hindrance to others. Personally, I find it difficult to feel a rhythm and not follow it or swing my arms rhythmically. But this doesn't just apply when I listen to music on the way to work, but also the sound of cars whizzing by, the sound of other people's shoes on the ground, and even the sound of construction workers on the streets. Jo Vergunst also draws on gestures and the body in her article, which reinforces and supports the idea of rhythm

Topic > Jo Vergunst (2010) also uses gestures to understand the way humans can walk down the streets and not collide with all the people who are also on the same journey as them. The demands of city life are optimistic and our way of walking must succumb to this lifestyle, which often happens, as most human beings do not want to appear out of place or be a hindrance to others. Personally, I find it difficult to feel a rhythm and not follow it or swing my arms rhythmically. But this doesn't just apply when I listen to music on the way to work, but also the sound of cars whizzing by, the sound of other people's shoes on the ground, and even the sound of construction workers on the streets. Jo Vergunst also draws on gestures and the body in her article, which reinforces and supports the idea of rhythm