Topic > Futurism at the beginning of the 20th century

Essay Futurism began in Italy at the beginning of the 20th century. A group of Italian artists were interested in the mechanical and technological arena and the speed at which developments were occurring. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay. Their goal was to embody the energy of an ever-changing world. They discovered better ways to capture motion in art, using overlapping and edge blurring. In this way, they better captured the energy and power of the shapes moving through space. Mainly Cubism and the flattening of pictorial space influenced Futurism. Other influences were the urban subjects of impressionism, post-impressionism and the phenomenon of speed. Futuristic artworks often depicted cars, athletes, or cities; sometimes abstract. They conveyed the power and movement of the modern revolution. Artists used overlapping shapes, flattening of painterly colors, luminous spatial, Seurat's pointillist method, and urban subjects. The works often had a patriotic, aggressive and courageous theme. Futurists believed that beauty could only exist in struggle. The founding member of the Futurists was Umberto Boccioni. Other member artists include: Carlo Carra Giacoma Balla Gino Severini Luigi Fussolo and the Dadaists; Marcel DuchampUmberto Boccioni was born in Italy in 1882 and 1916. He was a founding member and leader of the Futurist movement. He was influenced by the pointillist theories of Giacoma Balla and had great experience in the interaction between visual art and psychology. He was technically inventive and focused on the effects of industrialization. He was very strict when it came to aesthetic considerations and this is what ultimately led him to become a great futurist painter and sculptor. Examples of the beauty of his colors can be seen in his paintings, "The City Rises" 1910-11 and "Tunnel Riot" 1909. He uses 20th century subjects and is heavily influenced by Seurat's Pointillism and Cubist simultaneity. Giacoma Balla He was older than the other four members of the futurist group. He was born in 1871 and died at the age of 87 in 1958. He preferred to work in Rome than in Milan where he had performed his signature experiments, particularly in the movement of objects through the medium of painting. In his painting titled "Dynamism of a Dog on a Leash" he had painted a series of arms and legs depicting the movement of the dog on a leash, this was a delightful creation of futurist simultaneity. Balla was a lyrical painter who created his effects without the noise and violence of some of his colleagues. "The street lamp - Study of light" is a painting created by Giacoma Balla. This is an oil on canvas and was finished in 1909. It shows a street lamp at night, casting a bright light on the sidewalk below. Individual particles of light are depicted in the pointillist style and painterly application of George Seurat. It has a bold play of spherical and fragmented curvilinear elements. Balla painted this subject because of the new technological breakthrough in Italy at the time. The futurist movement was based on the rapid pace at which technological advances were occurring. The composition consists of a single street lamp, which sprays a bright halo of warm light. It aims to give a feeling of satisfaction towards new discoveries in the field of electricity. The focal point of the painting is the light orb in the center. The colors are predominantly warm and comforting. Conclusion Therefore, in this essay I have demonstrated and discussed the goals achieved by the futurists of the early 20th century. This group of artists embodies the energy of the world in.