Topic > The Tone and Mood of Self-Reflection in the “Fahrenheit 451” Movie Trailer

Everything within the trailer describes the overall tone and mood of self-reflection. The trailer for Ray Bradbury's Fahrenheit 451 film begins with a full shot of a large explosion, then cuts to a scene of an advanced society all at eye level. This scene was included to grab the audience's attention, as it helps spark curiosity about the events leading up to the explosion. This tone of curiosity is included in the first scene to make the audience think, which is crucial to the next scene as it relates to the daily lives of people in this society. Through the use of full and medium shots along with a high angle and eye level, it is possible to visualize aspects of their society that are similar to our society along with aspects that show how, ultimately, we have the potential to become like them if we stay on a path blindly. This idea makes the scene more relatable, thus further engaging the audience to a greater extent. The lifestyle scenes are intentionally shown in a negative manner to develop a shameful tone. The following scene depicts Montag emerging as an enlightened being. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The following short scene depicts Clarisse, through the use of central shots and an eye-level angle with Clarisse facing the camera. This is meant to show how Clarisse is more enlightened than Montag, as well as showing how Montag is enlightened by Clarisse. Beatty is depicted in this scene as it is central to the book. It is shown when the audience sees someone burning down a house as the house represents Montag's house in flames, which is essentially a symbol of the "death" of Fireman Montag and the man that Beatty is. This scene also includes the moment right before Montag jumps into the water and looks at her. This scene is connected to the biblical reference in the book and ultimately symbolizes purity and rebirth. These scenes were chosen because they all allude to the idea of ​​a new beginning and the opportunity to have a second chance at life, which allows a tone of rebirth to be conveyed. The following scene conveys the obstacles he had to overcome during his first phase of enlightenment. This scene depicts Faber demonstrating his lessons, while a train departs from the city. This train represents the scene where Montag tries to understand the Bible, but does not grasp the message of the book. Also, this scene includes the point where he is running away and trying to get away from the city. By using high and eye-level angles in combination with medium and close-ups, the focus can be placed on Montag and shows him as someone who looks down on and goes against the culture of society. These scenes were chosen because they show key stages in Montag's development as an intellectual, important for understanding Montag's history and evolution in society. The scenes of Montag trying to free himself from society's influence convey a rebellious or mutinous tone. Another explosion also follows. The purpose of this explosion, however, is to show the ultimate consequence of the company's actions. Finally, Montag and his group return to the destroyed city, shown by the truck heading towards the burning city to establish a new society. This is to show Montag a new beginning with his group of intellectuals. The tone of this scene is meant to be hopeful, intense and optimistic as they now essentially have a second chance at.