In this example of an analytical document, a fundamental scene from the film "Bonnie and Clyde" is analyzed, highlighting its cinematic meaning and thematic depth. The essay delves into how these elements contribute to the film's exploration of Clyde's struggle with his sexuality and the dark, complex relationship between the characters. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Bonnie and Clyde is an iconic film that tells the legendary story of two lovers who embark on a series of robberies during the Great Depression. Both are relentlessly pursued by law enforcement, particularly a Texas Ranger named Frank Hamer. Bonnie and Clyde manage to evade their pursuers for quite some time, but are eventually felled by a hail of bullets. Bonnie and Clyde featured Warren Beatty and Faye Dunaway while Pyle played the role of Frank Hamer. The 1967 film is one of the most iconic in cinema history. The scene from Arthur Penn's film Bonnie and Clyde where Bonnie and Clyde share their first kiss is a perfect representation of a complete scene with cinematic significance to the theme of the film itself. The scene begins with a medium shot of Bonnie adjusting her necklace in the mirror. She sings a song from a movie she and Clyde had just seen. He recites the lines: "We're in the money, we're in the money." Bonnie's singing makes Clyde look at her, and her words prompt Clyde to ask her if she would rather have a rich man take care of her, rather than a thief who can't give her the care she needs. Bonnie insists that she doesn't want a rich man and Clyde's lifestyle is fine with her. Clyde kisses her, but before they go any further, Clyde backs away and tells Bonnie he's not a "love guy." In order for this sequence of shots to be considered a scene, there must be a clear beginning and end. Both the beginning and end of the scene are clearly marked with fade-ins and fade-outs, classic methods of jumping from one scene to another. This scene also marks the time; the scene before and the scene after are at different times than this scene. The pause in time makes this particular sequence stand out as a scene in its own right. The cinematography and mise en scène of this scene enhance the deeper meaning of Bonnie and Clyde-Clyde's struggle with her sexuality. The lighting in this scene is constant; even before Clyde lowers the window shade, the lighting is dark and dim. The lighting creates a dark atmosphere for the scene, making the audience realize that perhaps the scene itself will not be happy. If the lighting had been more colorful and vibrant, the scene could have gone a different way, however, even during Bonnie and Clyde's first kiss, the lighting manages to remain as unromantic as possible. The faded colors and dark atmosphere of the scene enhance the deeper meaning of the film. The camera angles, distances and movements in this scene also affect the underlying theme of Bonnie and Clyde. The types of shots during the first conversation between Bonnie and Clyde are very important. During this conversation, Bonnie and Clyde talk about their first murder. Most of the types of shots used are close-ups and extreme close-ups, and these shots are important because they show the emotion in Bonnie and Clyde's faces. Close-ups capture subtle facial movements, such as the downward movement of the lips into a frown and the watering of Bonnie's eyes. Such indistinct actions would not be depicted if a close-up had not been used. There 13, 1967.