In Fight Club, the concept of separation of soul from body appears in various forms. Whether imposed on others by Tyler or originating organically, the gap created between a man's essence and the reality of his life reveals a region of the human psyche that remains unexplored. What occupies this space is purer than the absence of action, it is nothing. It is this entity of “nothing” that Tyler wants us to fear. This nothingness not only enables, but also promotes complacency with the unconscious rat race that is everyday life. Nothingness dampens our ambitions and causes us to settle for our uninspiring lives. The narrator of Fight Club faces an involuntary internal conflict: the empty space between his mundane existence and his ambition—albeit reckless—forces him to rebel against himself, creating Tyler Durden's illusion of performing every action for which he itself is too weak. also consider. Each of us has an empty space inside us that prevents our soul from interacting with our mind and body. Likewise, each of us has a Tyler inside us; while our respective Tylers may be considerably less destructive, we all have the power to unleash our more powerful alter egos and get what we truly desire. Therefore, the message of Fight Club that Chuck Palahniuk seeks to communicate to the reader is to find, by any means necessary, the common thread that will complete the circuit between our dreams and our actions. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The most effective way to approach this quest is to come face to face with the idea of ​​nothingness. “Maybe the answer is self-destruction,” the narrator posits, conveying his anxiety at the idea of ​​losing everything (49). Fight Club embodies the spirit that playing it safe is cowardly. Furthermore, it is impossible to defeat an invisible opponent; unless you know exactly what is tempting you to play it safe, you can't eradicate that mindset. Tyler makes clear early on, however, that understanding what “nothing” is allows us to fill the void with something that is deeply meaningful: “getting fired…is the best thing that could happen to any of us. This way we would stop staying afloat and do something with our lives” (83). Before Tyler enters the narrator's consciousness, despite “small acts of rebellion” such as urinating in custard, he stays afloat, unable or unwilling to hit rock bottom (76). Tyler seeks to dispel this very hesitation, explaining, "if you lose your nerve before you hit rock bottom, you'll never truly succeed... It's only after you've lost everything that you're free to do anything," in short, articulating the goal of Fight Club and asking a key phenomenological question: What is it like to experience nothing? Tyler forces several characters to deal with the entity of nothingness. For Raymond Hessel, the thought of becoming an object to his parents drove him to rock bottom. With nothing to lose, Raymond has no reason not to pursue any course of action that does not serve his self-interest. “Fill in the blank,” Tyler asks Raymond, prompting the man who has just reached the lowest point of his spiritual existence to connect his aspirations with his physical paralysis; at this point in his life, Raymond is once again gifted with the passion that drove him to become a veterinarian (153). A conceptual understanding of nothingness is essential to replace the nothingness within us. It is not an empty space, it must be expelled with meaning; since nothingness is not the absence of purpose, but a destructive quality in and of itself, the only way to create something is.