The work of art chosen to analyze is by Diego Rivera and is entitled "The creation of a fresco showing the construction of a city ". In this painting, Rivera painted a scenario in which she shows the numerous workers needed to complete a task, in this case the construction of a city. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The painting shows engineers, sculptors, art assistants, architects and workers in general. Rivero also paints himself by painting a mural. He also paints many real-life people who contributed to his project. John Hastings, Clifford Wight, Matthew Barnes were just some of the people included in this painting. There is a lot going on in Rivera's painting. There are 6 different parts of the painting divided by straight lines which are the pieces of wood. These lines are meant to draw our attention to each different part of the construction process in the painting. They are mostly all square sections that together form a trapezoidal shape. In each section, there are different workers performing completely different tasks, making the painting very varied. In the central part, an architect, a designer and an engineer are depicted holding a sheet of paper that appears to be the project instructions. Next to them, on the left, are a worker and a sculptor hammering a large piece of stone. Above the designer and engineers are 4 artists painting the general worker's mural. Most of the colors used seem to fall on the warm, neutral side of the spectrum. Rivera uses the technique of light and shading to make the people in the drawing appear three-dimensional. The painting itself is realistic. There is also a linear perspective on the stairs that Rivera painted going downwards. Rivera's painting is Buon Fresco and he used water-based tempera pigments to create his painting. The technique involves painting on wet plaster which is more difficult to paint on. The main thing about the painting that stands out is the middle part where Rivera painted himself drawing a mural of a generic worker. The overall worker is painted using light and shadow techniques that give the mural a three-dimensional appearance, as if you were looking at it in person. He also drew himself facing backwards with his shirt a lighter shade than he painted most of the other workers involved, which draws attention to him. The mural he is painting stands out for its size compared to the rest of the workers and details. It is the largest square shape in the painting, so it forms the focal point. There is repetition using square and rectangular shapes. Rivera's belief that the industrial worker is very important is what inspired him to create this work of art. His painting is located inside the San Francisco Art Institute. Rivera was a member of the Mexican Communist Party. Most of his murals dealt with social and political issues such as the Mexican Revolution. “The wall I was offered at the School of Fine Arts was small at just 120 square feet, not at all suited to my purpose, which was to present a dynamic concert of construction: technicians, designers and artists working together to create a modern building. Taking advantage of the vague stipulation regarding the length of my stay in San Francisco, I chose another wall, ten times larger. It was here that I showed how a mural is actually painted: the multi-tiered scaffolding, the assistants plastering, drawing and painting; myself half-resting; and the true mural subject.