The lyrics continue to be appreciated long after their composition by virtue of their exploration of contextually relevant universal concerns. The timelessness of Orson Welles' 1941 film Citizen Kane lies in its treatment of persistent human flaws, making the text worthy of continued critical study. Delving into the influences of unpredictable personality, love, and socioeconomic forces on the complex human psyche, Citizen Kane maintains its textual integrity in all contexts. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The ideals presented in Citizen Kane resonate across time as it explores the complex and chaotic nature of human existence through Kane's fragmented identity. The perfunctory insistence in the screening room sequence that “Rosebud” is the simple answer to Kane's multifaceted psyche serves as a “thinly disguised satire of Hollywood” (Ebert, 1998) satirizing the emerging prevalence of procedural film noir over the years. '40. Indeed, journalist Thomson himself "[doesn't] think there is a single word that can describe a man's life", with this irony amplifying Kane's contradictory nature as both a "communist" and a "fascist" in the newsreel , establishing internal conflict as an integral part of human existence. Welles similarly employs an omniscient point-of-view camera to provide an objective delineation between Kane's private and public lives, thus highlighting the subjectivity of truth where Thomson's investigations fail to uncover “private greatness… that he kept to himself." As such, the recurring motif of a puzzle supports the fragmented insights provided by other characters into Kane's enigmatic personality in its reflection of the multidimensional human psyche. Furthermore, the lack of Kane's physical presence as the camera captures his endlessly projected mirror image reveals the extent to which individuality is sacrificed when striving for social acceptance through conformity. The contradictory perspectives of Kane's true machinations presented by Bernstein and Leland, who respectively describe Kane as "an honest" and selfish man with "[no] convictions except [himself]", allow the audience to form their own interpretations, and are therefore guided to question the complexity of their own identity. Citizen Kane further ensures its universal relevance by clarifying the importance of love and acceptance as inherent human needs. In the opening childhood scene, the deep focus on a window in the background acts as a barrier to amplify Kane's isolation from his parents, and is later closed by Mr. Kane to symbolize the permanent dissolution of family ties in a materialistic world, post-natal. depressive socioeconomic context. Kane's dissociation extends to his discordant first marriage to Emily despite being "married for love," as is evident in the montage of six scenes at the breakfast table accompanied by waltz music that becomes progressively more dissonant to mirror their relationship in disintegration. Their first intimate shot of two lovers caught shoulder to shoulder deteriorates until they find themselves at opposite ends of a long table covered by a large tablecloth, with this mise-en-scène emphasizing the disconnection that emerges from materialism. Furthermore, Kane's looming figure as he strikes his kneeling second wife Susan highlights his absolute control over her, with Welles using a parallel scene of a band happily playing "It can't be love" to portray.