Edgar Allan Poe's The Tell-Tale Heart presents a disturbing mediation on individual arrogance through the narrator's moral ambiguity and inability to perceive the horror within himself. horrible heart." As Poe strips the harrowing tale of extraneous details, his use of dramatic irony facilitates the observation of the impermanence of sanity and the internal conflict that permeates the subconscious self, making individuals complicit in a tumultuous existence. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Poe's often casual and casual syntax serves as an embodiment of the narrator's precarious sanity, ironically portrayed to the reader while the narrator remains contemptuously unaware. At the opening, the Narrator's rhetorical question "why will you say I'm crazy?" following his declaration that he is "very, very terribly nervous" establishes the narrator's inner turmoil and psychological contradictions, declaring that he is extremely uncomfortable but insists on being perceived as healthy while Poe encourages the reader to recognize the narrator's erratic state before the story has been told. Likewise, the repetition of the exclamation in the statements “I went to work!”, “oh, so sweetly!” physically connotes a frenetic sense of excitement and mad pride as the narrator attempts to align his sanity with the meticulous and enthusiastic detail with which the story is told, but fails to understand that the content of such horrific revelations betrays the exposition of the sanity he vehemently tries to show. establish. Furthermore, as the narrator goes berserk in the presence of the police officers, the short, jarring statements "I frothed, I raved, I swore!" “God Almighty!” "Listen! Louder, louder, louder!” it disintegrates the previous calm and collected retelling of the story, physically depicting the speaker's degradation into madness, guilt, and tumultuous internal conflict. Through this dramatic irony, Poe suspends the narrator in a performance of ambiguous sanity and frenetic capacity, suggesting that his cunning retelling is simply the beginning of the descent into the underworld of his own psyche, one of which he cannot recognize himself. With this idea, Poe ironically fills his narrator's perceptions with distorted characteristics to establish a clear dichotomy between the narrator's recognizable sanity and madness. Although the narrator attempts to divulge that the old man's "Evil Eye" prompted his heinous act, he previously contradicted that "there was no object, no passion" suggesting that he had fabricated a motive in a futile attempt to justify his immoral actions and further construct a misrepresentation of psychological stability. Through the alliterative reference to the "Evil Eye", the proper name, the titular connotations of this exaggeration attempt to associate the eye with great danger and as a being completely separate from man, thus alleviating the burden of guilt that would be associated with the homocide. However, the narrator fails to understand that the Old Man's eye is an aspect of his own identity that cannot be perversely dismembered from his being, thus eliding the instability of the narrator's thought process and rationality. Similarly, the comical "old man's heartbeat" described as "increasing the narrator's fury, as the beating of a drum stimulates the soldier's courage" absurdly portrays the narrator's insidious desire as a courageous motivation, aligning the 'murder with the courageous effort of.