IndexFactors derived from PanchamahabhootasPlot SummaryActingCostumesConclusionThe word Prakriti is derived from "Prakarshena karoti iti Prakriti" The word Prakriti is derived from Pra + Kriti (to create or act). Pra means "beginning", "beginning" or "source of origin" and kriti means "to perform" or "to form". Put together Prakriti means "natural form" or "original form" or "original source". Prakriti is one of the most important concepts described in Ayurveda and is decided at the time of conception. It is the complete psychosomatic architect of an individual who begins to take shape in the womb. Prakriti thus generated helps in understanding the health and disease state of an individual and helps in maintaining health and also in healing when he is ill. The word Prakriti has different meanings in different contexts like: Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Svabhava - nature.Eashwara - God.Kala - time.Yadrischa - spontaneity.Niyati - rule, destiny, destiny.Parinama - transformation, change Acharya Susrutha denotes Prakriti using the term Avyaktha. According to him, the unmanifest is the causal source of all beings, causeless, characterized by satwa, rajas and tamas, having eight forms and manifest cause of the entire universe. It is one and the place of many souls as the sea is of waterways. This prakriti is less beginning, eternal, causeless and omnipresent. Susrutha also used the term Prakriti to denote the ashtaprakriti which includes avyaktha, mahath, ahankara and five thanmatras. A person's Prakriti is determined by the predominance of the dosha at that moment of fertilization. The enhanced doshas present in the sukra (male gamete) and arthava (female gamete) at the moment of conception continue to remain throughout life, from birth to death without causing any disease. In the Ashtanga Sangraha, Vaghbata states that, at the very moment of the beginning of life, through the union of sukra and arthava, the predominant doshas confer their character on the garbha (fetus). Just as the poison of a poisonous organism is harmless to it, three types of Prakriti arise: Hina (poor), Madhya (moderate) and Uthama (better). The ideal is Samadhatuprakriti which arises from the combination of all three doshas in equal proportion. Dwidoshaja prakriti resulting from the combination of any two doshas is harmful. Prakriti is therefore that which constitutes the physical as well as psychological constitution of an individual. Prakriti is a non-pathological humoral state (dosha), inherent in the individual from birth to death, which is distinguished from the moment of fertilization mediated by maternal and paternal activities. According to Acharya Susrutha and Charaka, Prakriti is determined at the time of fertilization due to the predominance or increased state of doshas which is normal or physiological. It remains unchanged from fertilization until death. According to Vagbhata, Prakriti remains hereditary throughout life before death. Ayurveda classifies the human population into subpopulations such as Vata Prakriti, Pitta Prakriti and Kapha Prakriti or their combination on the basis of anatomical, physiological and psychological characteristics completely avoiding racial, ethical and geographical considerations. Ayurveda has conceptualized Prakriti as Vata, Pitta and Kapha or a combination of two or three of them. All individuals will be influenced by the doshas or have the characteristics of these doshas. But we consider an individual as VATA prakriti, PITTA prakriti or KAPHA prakriti depending on the characteristics found in them. These individuals are prone to contracting diseases based on their prakriti, that is, the Vata prakriti individual is more prone to contracting vata-predominant diseases if he follows a vata-spoiled lifestyle.If we know our prakriti we can change our lifestyle to keep the doshas in balance, so as to maintain health. The prenatal factors that influence the formation of prakriti are: Atmaja Bhava: the Atmaja bhavas directly related to atma are yoni (being born in such a womb), self-realization, chetana (consciousness), ayu (lifespan), while those related to Higher order psyches are iccha (pleasure), dvesha (dislike), sukha (desire for happiness) dukha (pain) and Prayatna (efforts). : Satvaja bhavas are factors derived from satva-psycho/mind. The psychological endowment of the child is determined by the psychological state of the mother and father during pregnancy and by the purva janmakrita karma (actions performed in the previous life). These factors are Bhakti (pleasure), Moha (attachment), Gambeerya (seriousness), Bhaya (fear), sheela (conduct), Tyaga (detachment), Tikshnata (sharpness), Krodha (anger), shoucha (purity), Matsara ( strong desire), Mriduta (softness), Tandra (drowsiness), Dvesha (enmity), shourya (valour), smriti (memory), utsaha (enthusiasm) Matraja Bhavas: Twak (skin), Mamsa (flesh), Blood, Medas ( fat), Nabhi (navel), hridaya (heart), Kloma, Yakrit (liver), Pleeha (spleen), Basti (bladder), Purishadhana (rectum), Kshudrantra (mecentria), Vapa vapavahana (omentum) are inherited maternally .Pitraja Bhavas: Kesha (hair), Nakha (nails), Loma (small body hairs), Danta (teeth), Asthi (bones), Sir a (vessels), Snayu (muscles), Dhamni (arteries) are inherited from paternal inheritance in an individual. Factors derived from Panchamahabhoota The different pachabhootas contribute to many factors of the body constitution, they are: Akasa mahabhoota- Shabda, srotra, Laghuta, sukshmata, vivekaVayu mahabhoota – Sparsa, sparsanendriya, rukshta, prerna, dhatuvyuhana, cheshtaAgni mahabhoota – Rupa , dharshan, prakasa, pachana, ushnata,Ap mahabhoota - Rasa, rasanendriya, sheeta, mriduta, snehana, kledaParthiva mahabhoota – Gandha, ghrana, gourav, sthairya, mrtutva Postnatal factors: Satmyaja Bhavas (congenital factors): Satmya is clarified as use of a regime and diet that are interconnected with the body. The importance of satmyaja bhava can be ascertained from the fact that if asatmya things are not taken, the couples do not become sterile and the fetus is also not defective. The satmyaja factors are Arogya, Analasya, Alolupa (freedom from disease, laziness and greed), svara (excellence of the voice), varna medha, indriya prasada (clarity of the senses), oju, Ayu (life), Bala (strength). .Prakriti plays an important role in maintaining health and causing diseases. We know that a person who has a predominant doshic constitution following the same dosha which vitiates ahara and vihara and though also kala, desha etc. are favorable to the cause of the disease, then there is a high probability of contracting that particular predominant doshic disease. Most diseases have dosha predominance, so people who have prakriti predominant dosha are more prone to contract the disease, for example people with prakriti predominant kapha dosha are more susceptible to contract kapha doshic diseases. As we all know, diabetic retinopathy is a disease that occurs in the retinal muscles and is one of the major complications of diabetes. We know that diabetes is a disease caused by kapha medodusts and diabetic retinopathy is a disease that affects the eyes, which are said to be the seat of pitta. So diabetes patients should avoid kapha and pitta vitiating ahara and vihara to keep the doshas in balance, so that the disease is controlled. This study aims to find the role of prakriti in the cause of diabetic retinopathy. We know that when the doshas, ​​desa, rthu and prakriti become predominant over the same doshas, ​​disease occurs or it is difficult to cure the disease.So, if the prakriti of the individual is different from dushya, desa and rtu, the disease does not occur or, if it occurs, it is easily cured. Sometimes you need to sit back and relax after a busy day and there's no better way to do that than watching a show. I had the opportunity to watch the traditional Russian opera called Three Sisters. The opera, which was an adaptation by Brian Friel of Anton Chekhov's original play, was first performed at the Guildhall, Derry, on 8 September 1981. The opera directed by Gordon Reinhart had a successful place at the Special Events Center (SPEC) located on the campus of Boise State University. I got in early, well before the show started and had plenty of time to survey the stage, being a character driven show, I sat in the second row so I could clearly see the actors' facial expression. The stage had no curtains, so you could see all the walls of the theater itself. There was a projection screen hanging in the back to replicate the outside. There were also two tables at either end of the stage. Plot Summary The show started in a very unique way with the sisters giving a director's speech. The play is about three sisters by blood but with very different characters that it is difficult to believe that they are actually sisters. Samantha Berry played Olga, a very devout sister with deep religious beliefs, Thompson Tiara played Marsha, and Irina played Tess Gregg. The comedy revolves around love and morals, Samantha Berry is portrayed as a person who believes in morals and does not harbor any immorality, she does everything she can do in her power to ensure that the family stays together. Marsha is depicted as sad that she is married but not in love with her husband, which is absurd as it defeats the logic of why she got married to someone she doesn't love in the first place. The third sister brings out immorality in society; he is young and wants to explore the world, even if it's just Moscow. In the play he represents the young men and women of the countryside and their desire to go to the big city, no matter what the cost. Irina has just turned 20, but she has had relationships with many men and yet she is the youngest of the three sisters. The supporting cast also does a good job of trying to bring out the characters of the three sisters. Acting Throughout the show the character of Olga is completed through the actor's facial expression and voice. Being a devoted sister, Olga is very gentle in speaking but firm on whatever topic she is talking about. All the other characters who play the role of the other two sisters also do a commendable job in portraying the characters they play. Sound Effects Sound designer Sam Brakel has done a great job in terms of designing the sound effects; the sound effects almost corresponded to those of the original work. They had the gun shots, the wind wheel and the pianist Megan Choate, who was playing live, did an exemplary job. The entire sound effects crew completed the sound effects with the different scenes. Costumes Since the show has Russian origins, the costume designer named Darrin J. Pufall, did a commendable job in choosing costumes for the actors, especially the three sisters. The blue costume chosen for Olga was perfect as it complemented her character. He wore different types of shades of blue for different scenes, but they still looked the same. The black costume designed for Marsha depicted her character: her love life is boring, she is married but not happy in her marriage, thus making the black costume ideal for her. Its different shades of black matched very well, which is amazing since the.